This is a beautifully rich tale of life and death, love and art in Florence Italy during the tumultuous 15th century. Told in first person from the viewpoint of a young Florentine girl, but told as her final life’s work as an old woman.
The young girl, Alessandra Cecchi, daughter of a rich textile merchant in Florence, knows she isn’t like her sister or other girls around her. Her passion of art and learning overpowers her, and alienates her from the life of sewing and searching for a rich husband.
Alessandra is also tall, awkward and not beautiful like her sister. Called a “giraffe” by her hateful sibling Tomaso, Allesandra searches for meaning to her life.
Alessandra falls for “the painter” who has been commissioned to paint the ceiling of her families chapel. But she marries a chosen husband “Cristoforo” who turns out to only have married Alessandra to appear heterosexual, which he is not.
During a terribly violent time in Florence as the church and the people battle for control, Alessandra lives a tumultuous life of her own not able to love the one she wants.
After I finished the book I spent some time in a discussion group about the book, interested in what other readers theories were about if “the painter” in the story is supposed to be a real person from the era. Certainly the book weaves real characters with fictional ones, and towards the end of the book there is a reference to Michelangelo that made me think this is who it was supposed to be. In the discussion group there was a wide range of strong opinions, and nobody seemed to know for sure. Theories included Michelangelo, DaVinci and several other 15th century painters.
Only Sarah Durant knows for sure.
A beautiful story about a period in history I knew little about.
⭐️⭐️⭐️⭐️ Four stars for The Birth of Venus by Sarah Durant.
Read last week’s review of The Clockmaker’s Daughter.